Unqualified Writer Questions Qualified Writer's Qualifications Shock

Writing in The Times yesterday, Kevin Maher took to task Lucy Worsley for introducing herself as "Dr. Lucy Worsley" on what he rather high-handedly terms "the BBC's pop-history show" If Walls Could Talk: The History of the Home. Evidently the only people permitted to refer to themselves as doctor are those who kiss Kevin's boo-boos and allow him to take a lollypop from the jar.

Naturally it's not that Maher is just bothered about the doctor thing: he has another axe to grind with her and just lampoons her obvious self-importance as a side-swipe. To show that he is no mere sneering oik, however, he does let drop that he is quite au fait with this education business himself and has an M.A. ... but naturally (being the sort of person who sets these gew-gaws at a clear-sighted estimation of their importance) he got over that some years ago and is no longer clinging to it.

Let's just compare those two qualifications then, shall we?

Lucy Worsley is Chief Curator at Historic Royal Palaces. "She's also a winner of the Royal Historical Society's Frampton Prize, a visiting professor at Kingston University, and one of the few beardless Fellows of the Society of Antiquaries." (God help us ... even Sordel is beginning to go off her!) She is the author of several books about history and her doctoral thesis was written on a subject in the history of architecture.

One might almost think that she introduces herself on her programme as "doctor" to reassure the audience that, unlike many people who present programmes on television, she is actually qualified to speak on her subject with authority. (And let's just leave on one side the additional defence that she was probably encouraged to style herself so by the BBC programme-makers.)

Now, Kevin Maher.

He may not have written his biog on The Times website, but he might have at least proofread it: "Kevin has been a film editor forThe Face magazine, a film pundit for The Big Breakfast, and a film researcher for Channel 4. He now writes about film, because he can" [sic]

Exactly what he "can" is left unsaid, or at least unpunctuated, but at least we have discovered that film is Kevin's metier.

Well, Film Studies is perhaps not the most elevated of academic subject ... but we should certainly congratulate Kevin on sticking to what he loves and making a career of it. A Masters degree is, after all, still a Masters degree and Film Studies need fear no bullying from the likes of Architectural History.

Except Kevin's Masters dissertation is not in Film Studies. Its title - as he mentions in his column - is "Beyond Good and Evil: A Post-Feminist Analysis of Charlotte Brontë's Villette With Respect to Nietzsche". [sic]

Does it perchance become crystal clear why Maher is so opposed to academic willy-waving when he has no relevant qualifications in the field in which he writes? (And this despite the fact that there must be suitably-qualified writers queuing around the block at all nearby Job Centres.)

Moreover, those schooled in reading dissertation titles will be ready to set at nought Kevin's endeavours with even more zeal than he himself modestly brings to bear. A dissertation advancing a "post-feminist" analysis reading one novel by Brontë (1816-55) in the light of the student's almost certainly superficial acquaintance with the work of Nietzsche (1844-1900) ... that's basically university code for "here's a load of crap I made up to look interesting to girls".

A show of modesty when one has so much to be modest about is scarcely virtuous, Mister Maher.